Tuesday, October 2, 2012

KUMONRYU KOI

KUMONRYU KOI

Kumonryū 
Kumonryu is a black doitsu scaled fish with curling white markings. The patterns are thought to be reminiscent of Japanese ink paintings of dragons. They famously change colour with the seasons.
Kumonryu compete in the Kawarimono category.

KAWARIMONO KOI

KAWARIMONO KOI

Kawarimono (変わり者?) A "catch-all" term for koi that cannot be put into one of the other categories. This is a competition category and many new varieties of koi compete against each other within this one category. Also known as kawarigo

OCHIBA KOI

OCHIBA KOI


Ochiba

A light blue/gray koi with copper, bronze, or yellow (Kohaku style) pattern, reminiscent of autumn leaves on water. The Japanese name means "fallen leaves."

KINGGINRIN KOI


KINGGINRIN KOI


Kinginrin (金銀鱗?) A koi with metallic (glittering metal-flake appearing) scales. The name translates into English as "gold and silver scales." Often abbreviated to Ginrin. There are Ginrin versions of almost all other varieties of koi, and they are fashionable. Gin-rin refers to sparlking, glittering scales as opposed to the smooth, even metallic skin and scales seen in the Ogon varieties. Recently these characteristics have been combined to create the new "ginrin Ogon" varieties.

OGON KOI


OGON KOI



Ōgon (黄金?) A metallic koi of one color only. (hikarimono 光者). The most commonly encountered colors are gold, platinum, and orange. Cream specimens exist but are very rare. Ogon compete in the Kawarimono category and the Japanese name means "Gold." The variety was created by Sawata Aoki in 1946 from wild carp he caught in 1921. Recently the metallic skinned Ogon is being crossed with ginrin scaled fish to create the ginrin Ogon with metallic skin and sparkling (metal flake) scales.

The Koi Varieties

The Koi Varieties

Koi Appreciation
Thanks to the ingenuity and dedication of Japanese master koi breeders, the world is now blessed with a diverse collection of koi breeds and varieties.  Present-day koi are so brilliantly colored that it's difficult to imagine all of them coming from the dull-colored fish grown for food in the mountains of Niigata, Japan centuries ago.   
To novice koi hobbyists, the flurry of Japanese terms corresponding to these various breeds can be daunting.  The advice commonly given is to get accustomed to the terms slowly and enjoy the learning process. The starting point of this learning process is more often than not with the three most established and most popular breeds of koi, namely, the 'Kohaku', the 'Sanke', and the 'Showa'.   'Gosanke' is the term used to refer to these three breeds taken together. 
    
 "Koi appreciation starts with the Kohaku and ends with the Kohaku."
   
Kohaku, which pertains to a white koi with red markings, is the first breed to be established by the Japanese.  Its simplicity, beauty, and availability make it the most popular and logical choice for a person buying his or her first koi.  Through the ensuing years this hobbyist may build up his collection by adding newer and more sophisticated varieties.  After having tried them all, however, this hobbyist will most likely 'rediscover' the Kohaku, finally experiencing first-hand what the cliche above really means.  But it doesn't end there, the cycle simply starts all over again.
    
Such is the hobby of koi keeping - a never-ending process of  'discovery' and 'rediscovery'.  Thirty years from now, our hobbyist might still be watching some of his or her original koi swimming in the pond after having owned many other varieties of these 'living jewels'.  If that will be the case, then he will have done things correctly, and can rightfully claim that he has, after all, achieved every koi keeper's dream.

Utsurimono




Utsurimono




          A black koi with a white, red, or yellow markings. The oldest attested form is the yellow form, called "Black and white markings" (黒黄斑 Kuro Ki Han?) in the 19th century, but renamed Ki Utsuri (黄写り?) by Elizaburo Hoshino, an early 20th century koi breeder. The red and white versions are called Hi Utsuri (赤写り?) and Shiro Utsuri (白写り?) respectively. The word utsuri means to print (the black markings are reminiscent of ink stains). Genetically the same as Showa but lacking either red pigment (Shiro Utsuri) or white pigment (Hi Utsuri/Ki Utsuri)

Sanke Pattern

Sanke Pattern

Pattern
The red and black markings on the white body must be artistically balanced.  This means that a certain color must not be confined to one side or one end of the koi only. 
The red-over-white pattern may be continuous or 'stepped', but the over-all effect of white and red balancing each other should be the ultimate consideration.  Many people prefer stepped koi and understandably so, since this pattern ensures red and white alternating with each other. Sanke with a 'hi' pattern that runs continuously from head to tail is known as 'aka sanke'.  Aka sanke is less desired, since the predominantly red body makes it look heavy. 
A white area separating the tail and the red marking nearest the tail is known as a tail stop, and is considered desirable. A red mark on the lips of a koi (also known as 'kuchibeni') is a 'plus' if it enhances the over-all package of the koi.
A good sanke has a red pattern (but absolutely no black color) on the head. The head pattern must extend slightly beyond the eyes but should not reach the nose or lips, leaving a white area in the front end of the head.  A fully red head (referred to as 'menkaburi') that makes the koi look 'hooded' is considered negative.  Nonetheless, some koi look good despite having it, so don't let it prevent you from buying a koi that you like.
A round patch of red on the head is considered nice.  If this red patch is the only red marking on the sanke, then the koi is called a 'tancho sanke', a highly-prized koi variety among the Japanese since it looks like their national bird.  If there are other red markings on the body of the koi, then the round head patch makes it a 'maruten' sanke.
The sumi of a sanke must be distributed in the koi body such that they collectively add balance to the koi.  Their presence should enhance the 'kohaku pattern' and not degrade it.  Old-style sanke koi are heavily endowed with sumi.  Modern sanke exhibit a sparser distribution of sumi, but these should be clearly defined and solid black nonetheless.  Koi experts also prefer sumi spots that are positioned over the white body. Conversely, sumi spots over hi markings are less desirable to them.

Tancho

Tancho

 
Koi with a red head patch are called "Tancho." Most common are "Tancho Kohaku (all-white Koi with Tancho)," "Tancho Sanshoku (white Koi with Sumi similar to Shiro Bekko, and with Tancho)," and "Tancho Showa (Showa Sanshoku without red markings except for Tancho)," etc. However, "Tancho Goshiki (Koi of five colors with Tancho)," and "Tancho Hariwake" are rare.

Tancho do not form a single, independent kind of Nishikigoi; they all can be bred from Kohaku, Taisho Sankshoku or Showa Sanshoku. Their red patch happen to show up only in the head region. Tancho, therefore, can not be produced in bulk even if you so wish.
The essential point for appreciation is the red patch in the head region, of course. The red head patch sitting right at the center of the head region is the best. The white skin is also important as it is the milky white color that sets the red head patch off to advantage. The Sumi of Tancho Sanshoku and Tancho Showa are the same as Bekko and Shiro Utsuri respectively.

ASAGI



Asagi (浅葱?) A koi that is light blue above and usually red, but also occasionally pale yellow, or cream generally below the lateral line and on the cheeks. The Japanese name means "pale greenish blue." Sometime incorrectly written as 浅黄 (light yellow).

BEKKO

Bekko (鼈甲?)

 

A white-, red-, or yellow-skinned koi with black markings sumi (?). The Japanese name means "tortoise shell," and is also written as べっ甲. The white- red- and yellow varieties are called Shiro Bekko (?) Aka Bekko (?) and Ki Bekko (?) respectively. May be confused with the Utsuri.

GOSHIKI



Goshiki (五色?) A dark koi with red (Kohaku style) hi pattern. Appears similar to an Asagi with little or no Hi below the lateral line and a Kohaku Hi pattern over reticulated (fishnet pattern) scales. The base color can range from nearly black to very pale sky blue.

Shusui




SHUSUI

 



Shūsui (秋水?) The Japanese name means "Autumn Water." The Shusui was created in 1910 by Yoshigoro Akiyama, by crossing Japanese Asagi with German mirror carp. The fish has no scales, except for a single line of large mirror scales dorsally, extending from head to tail. The most common type of Shusui have a pale, sky-blue/gray color above the lateral line and red or orange (and very, very rarely bright yellow) below the lateral line and on the cheeks

Monday, October 1, 2012

Sanke Koi

Sanke


Sanke defining features
Sanke are white Koi with solid red (beni or hi) and black (sumi) patterns on the body. The head of a Sanke, as for Kohaku, is expected to be red and white only. Black patterns are most likely to appear above the lateral lines. Fins may carry black stripes (tejima or tezumi). A Sanke with almost no visible white is called an Aka Sanke. Other Sanke names are red-pattern based, for example, Maruten Sanke (red head pattern separate from red patterns on the body).


Sanke Koi
Origin
Sanke first appeared as natural mutations seen in a Kohaku (white Koi with red patterns) spawning. Some of the offspring showed small black spots. Because this occurred in the Japanese Taisho era, Sanke, first called Shima Sanke because of the striped fins, became Taisho Sanke.


Basic appreciation points
• Red and white patterns on a Sanke ideally fulfil the same criteria as a Kohaku. An acceptable exception is the Aka Sanke, where almost the entire Koi is red with black patterns superimposed.
• The quality of the black is a critical feature – it should look coal-black, dense and glossy, and scales should not be visible within black patterns.
• Pattern edges, particularly trailing edges (kiwa), should be sharply defined.
• Black may appear over red or white patterns – when over red, leading edges of black patterns should also look sharp; if over white then a small amount of blurring (sashi of sumi) is both acceptable and desirable, since it provides a 3D element to the pattern. Black over white is preferred, as it’s more elegant.
• The desirable size of black pattern elements changes over time. Black patterns should be neatly arranged along the back, ideally beginning with a large shoulder marking (tsubo, or well-placed sumi).

Common problems
• Same as Kohaku list.
• Poor quality, thin, dull-looking black areas that never improve.
• Large numbers of very small black speckles (jari sumi).
• Poor edges to the black patterns. Good kiwa of sumi is difficult to achieve.                
• Black pattern-related problems, for example, lack of balance, head to tail or side to side.

Kohaku Koi


kohaku
Kohaku Koi

Kohaku (紅白 (kōhaku "red and white")) is a variety of ornamental koi (carp). The Kohaku has a white (shiro) body, with red (aka) markings, or 'hi', across the body. The Kohaku is one of the gosanke, the ‘Big Three’, consisting of Kohaku, Sanke, and Showa.

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